Presonus Studio 192 Audio Interface

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$22,072.50

Presonus Studio 192 Audio Interface

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Description

Presonus Studio 192 Audio Interface Overview:

This 26-in/32-out USB 3.0 audio interface comes loaded with an extensive central control section, which includes monitor management that utilizes the DSP-driven monitor mixing. The Studio 192’s onboard DSP extends well beyond zero-latency monitoring, providing PreSonus’s Fat Channel EQ and dynamics on every input channel. All told, you get incredible bang for your buck with the PreSonus Studio 192 USB 3.0 audio interface.

StudioLive Fat Channel processing enhances your inputsThe Studio 192 brings PreSonus’s acclaimed StudioLive Fat Channel DSP to a dedicated recording platform, making it extremely easy to record well-polished sound, without extra gear or added latency. Thanks to Fat Channel processing, each of the Studio 192’s input channels offers you a 3-band semi-parametric EQ plus dynamics, including gating, compression, expansion, and limiting. On top of that, the Studio 192 features DSP routing, giving you the option of zero-latency monitoring whenever you need it.

Command-center functions offer mixer-style convenienceFat Channel processing isn’t the only thing the Studio 192 borrows from the StudioLive series. If you’re looking for an audio interface that offers you a more mixing-console-style workflow, then you’ll love the Studio 192’s command center functions. For starters, there’s a talkback mic onboard that you can route to any mix, making it easy to communicate with artists via their headphone monitors. Speaking of headphones, the Studio 192 comes equipped with a pair of stereo headphone amplifiers, which make monitoring easy. Top it off with speaker switching plus Dim and Mono options, and the Studio 192 is the perfect centerpiece for any modest studio.

High-quality pres and converters meet high-speed USB 3.0Loaded with eight remote-controllable XMAX microphone preamps, in addition to instrument and line-level inputs, the Studio 192 offers you the clear and versatile sound that’s made PreSonus StudioLive mixers and audio interfaces the mainstays of project studios around the world. With eight balanced TRS outputs, two headphone outputs, and a selection of digital I/O, the 26-in/32-out Studio 192 lets you track whole bands right out of the box and provides you with plenty of room to grow. And thanks to its ultra-high-speed USB 3.0 connectivity, latency isn’t an issue when you’re tracking through a PreSonus Studio 192.

Presonus Studio 192 Features:

General Features:

  • 26×32, 24-bit, 192 kHz audio interface and studio command center
  • Input monitoring with StudioLive® Fat Channel DSP processing on every analog input and the first ADAT inputs
  • Integrated zero-latency monitoring
  • Speaker switching and talkback

Integrated Software:

  • Total integration with included Studio One® Artist DAW software (Mac/Windows) for multitrack music production, monitor mixing with effects, and studio command features
  • Wireless control over preamp levels, monitor mixing, and speaker switching from included UC Surface touch-control software (Mac®/Windows®/iPad®) and from free Studio One Remote for iPad
  • Compatible with most recording software for Mac and Windows

Flexible Connectivity:

  • Simultaneous I/O up to 26 inputs/32 outputs (8×14 at 192 kHz)
  • Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
  • 2 front-panel combo microphone/instrument inputs
  • 8 XMAX remote controllable mic preamps with individually switched 48V phantom power
  • 6 balanced line level direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
  • 8 balanced TRS ¼” outputs for monitor mixing and speaker switching
  • ADAT / Dual SMUX Optical inputs/outputs: 16×16 channels at 44.1 or 48 kHz; 8×8 channel at 88.2 or 96 kHz
  • Stereo S/PDIF coaxial input and output
  • BNC word clock input and output with low-jitter clocking

Digitalia:

  • USB 3.0 audio interface
  • USB 2.0 compatible
  • 24-bit resolution and up to 192 kHz sampling rate
  • Top-quality 118 dB A/D/A converters

Physical:

  • Road-rugged construction with all-metal chassis and metal knobs
  • 1U rack-mountable
  • 18 VDC external power supply (included)

Mi​crophone Preamp:

  • Type: XLR Female (via Combo), Balanced Remote
  • Maximum Input level (min. gain, 1 [email protected]% THD+N): +12 dBu, +/-0.5 dB
  • Gain Control Range: 60 dB, +/-1 dB
  • Frequency Response (A-D): 10 Hz to 40 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd): > 110 dB
  • Dynamic Range (mid. Gain, unwtd): > 105 dB
  • THD+N (min. gain, a-wtd): < 0.005%
  • Input Impedance: 1600 Ω
  • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd): < 128 dBu
  • Common Mode Rejection Ratio (1 kHz, +55dB gain): > 55 dB
  • Phantom Power: +48 V, +/- 3 V, > 8mA per channel

Instrument Inputs:

  • Type: ¼” TS Female (via Combo), Unbalanced
  • Maximum Input Level (min. gain, 1 [email protected]% THD+N): +16 dBu +/-0.5 dB
  • Gain Control Range: 60 dB, +/-1 dB
  • Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd): > 110 dB dB
  • Dynamic Range (mid. Gain, unwtd): > 105 dB
  • THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
  • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Input Impedance: > 1 MΩ
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Line Inputs:

  • Type: ¼” TRS Female (via Combo), Balanced
  • Maximum Input Level (min. gain, 1 [email protected]% THD+N): + 18 dBu, +/-0.5 dB
  • Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd): > 114 dB
  • Dynamic Range (mid. gain, unwtd): > 105 dB
  • THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
  • Input Impedance: 10 kΩ
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Main and Line Outputs:

  • Type (Line Outputs): ¼” TRS Female, Impedance Balanced
  • Type (Main Outputs): ¼” TRS Female, Impedance Balanced
  • Maximum Output Level: +18 dBu, +/-0.5 dB
  • Frequency Response: 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (a-wtd): > 112 dB
  • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Output Impedance: 51 Ω
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Headphone Outputs:

  • Type: ¼” TRS Female, Stereo, Unbalanced
  • Maximum Output Level: 150 mW/channel @ 60 Ω
  • Frequency Response: 20 Hz to 20 kHz, +/-0.3 dB
  • Dynamic Range (a-wtd): > 103 dB
  • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Internal Talkback Microphone:

  • Type: Electret Condenser
  • Sensitivity: -42 dB

Signal Level LEDs:

  • Signal 1: -50 dBFS
  • Signal 2: -30 dBFS
  • Signal 3: -20 dBFS
  • Signal 4: -10 dBFS
  • Signal 5: -6 dBFS
  • Signal 6: -4 dBFS
  • Signal 7: -2 dBFS
  • Clip: -0.5 dBFS

Digital Audio:

  • Host Interface: USB 3.0 (backwards compatible to USB 2.0)
  • ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • Bit Depth: 24 bits
  • Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • ADAT Optical I/O: ADAT/SMUX II formats supported [16×16 (44.1/48 kHz), 8×8 (88.2/96 kHz)]
  • S/PDIF I/O: RCA female connections, supported up to 96 kHz
  • Word Clock I/O BNC connector, 4.5 Vpp @75Ω load

Clock:

  • Jitter: <50 ps RMS (20 Hz – 20 kHz)
  • Jitter Attenuation: >60 dB (1 ns in => 1 ps out)

Power:

  • External Power Adapter: +12 VDC, 3.0A, center positive
  • Connector Type Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

Physical:

  • Dimensions: 1U rackmount
  • Height: 1.75” (44.45 mm)
  • Depth: 5.5” (139.7 mm)
  • Width: 19” (482.6 mm)
  • Weight: 4.9 lb. (2.22 kg)

    Made in China

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